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October 22, 2013

News & Features

First all-Porsche exhibit shows off 'rolling sculpture'

The Associated Press

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Ken Gross is the curator for the show "Porsche by Design: Seducing Speed." (Gerry Broome / The Associated Press)

Curator Ken Gross had his first encounter with Porsches in college, when the cool guys were driving Super 90 Coupes. His old Ford, which was fine for attracting girls in high school, didn't compare.

"I lusted after that car," Gross says. "A friend let me drive his, and it was kind of an epiphany for me."

He bought a 1961 Super 90 Coupe after graduate school in 1966 and then sold it before he went to Vietnam in the U.S. Navy. Although he hasn't owned another one since, he has found a job that makes for a fine consolation prize — curating museum shows that include Porsches, such as the one that recently opened at the North Carolina Museum of Art (NCMA) in Raleigh.

The show is different from other car exhibits that Gross has curated because it's the first one he's done that focuses only on Porsches. The show has 22 of the German-made cars, starting with a 1938 Type 64 Berlin-Rom Racer and including actor Steve McQueen's 1958 Speedster, fashion designer Ralph Lauren's 1988 Type 959 and a 1989 Panamericana concept car with a zip-off roof that's never been in the U.S. before and was an 80th birthday gift to Ferry Porsche. It's the only one of that car, which had a dune buggy feel to it while still maintaining that clear Porsche design.

If you go
    The North Carolina Museum of Art in Raleigh presents the show "Porsche by Design: Seducing Speed" through Jan. 20. For details, visit ncartmuseum.org.

Porsche didn't put the car into production, although elements of its design are apparent in the modern 911s, Gross says.

Janis Joplin's psychedelically painted 1965 Type 356C Cabriolet, which is usually at the Rock and Roll Hall of Fame in Cleveland, also is part of the exhibit, titled "Porsche by Design: Seducing Speed."

Museum exhibits of cars date to 1951, when the Museum of Modern Art produced the show "Eight Automobiles." They are gaining in popularity with museum directors, who see them as a way to attract a new audience.

Gross, former director of the Peterson Automotive Museum in Los Angeles, works as a guest curator for exhibits about cars, most recently at the Frist Center for Visual Arts in Nashville, Tenn. He has exhibits scheduled through 2016.

"They are rolling sculpture," says NCMA Director Larry Wheeler. "It's the design and exquisite quality of Porsche that has been sustained from the very beginning. In terms of art museums embracing great industrial design, this is not new."

Both Wheeler and Gross say they believe that the North Carolina show is the first car exhibit in a fine art museum that features only Porsches.

Several race cars are part of the exhibit, including the Type 804 Formula One from 1962, designed so the driver sat in an aluminum cradle that's formed by the gas tank. Racer Dan Gurney won two races in that car.

"It wasn't that they weren't concerned about safety, but let's say it was a secondary concern," Gross says.

Among the things that set Porsche apart from other automobile manufacturers is its continuity of design, Gross says. This is evident from that 1938 Type 64, designed by founder Ferdinand Porsche, to the race cars that the company originally designed as a way of free advertising, since it didn't have a large marketing budget. The curvy, aerodynamic design continues into the most recent car in the exhibit, a 2010 Type 911 Sport Classic Carrera.

"The people who drive these cars, the enthusiasts who own them, they're looking for that open road," Gross says. "They're looking for that windy, twisty road without a lot of cars. They're looking for someplace you can really exercise and enjoy them.

"That's the thrill. And it doesn't come every time you get in that car. But find just the right off-ramp and the right country road on a weekend morning, and it's exhilarating. It makes the rest of the week fine."

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